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Friday, August 10, 2012

The Odyssey: Part 3--The Lotus Eaters

Welcome to the third installment of Homer's The Odyssey (Severely Abridged and Paraphrased). When we last left our hero, he had washed up onto the beach of an inhabited island and was welcomed into the king's court as a guest, where he began to spin the strange-but-true story of his journey there.

All of the eyes in the hall were on Odysseus as he started his tale.
"Almost twenty years ago," he began, "a war started between the Greeks and the city of Troy. Back home in Ithaca, the army was drafting every able-bodied man to sail across the sea and invade Troy, and I knew it was only a matter of time before I was forced to join.

"Now, I felt this was a silly war--it had all started with a golden apple and the vanity of three bickering goddesses--and though Menelaus gave the excuse that he was rescuing his beautiful wife from the clutches of her abductor, I knew full well that Sparta had been looking for an excuse to invade and pillage Troy for years. The city had grown in wealth and power and influence, to the point that it incited the vicious jealousy of Greece. The 'face that launched a thousand ships' was really just the final straw to the king of Sparta.

"But I was not going to risk my life for such a cause--I had a beautiful wife, Penelope, and an infant son, Telemachus, to make me perfectly content where I was--and what's more, an oracle stopped me in the street and told me that, should I go to Troy, a very long voyage home awaited me.

"So I came up with a scheme to avoid being sent to war. I pretended to be insane. I hitched up an ox and a donkey to my plow--nonsensical, since the two creatures have very different strides and pull at different speeds--and started to sow my fields with salt. My neighbors believed my feigned lunacy, but Menelaus' brother Agamemnon was not convinced. He ordered that, in order to prove that I was completely out of my mind, my infant child should be placed in front of the plow.

"Of course, nothing was worth killing my son. I veered around him and revealed my sanity. I grudgingly went to war."

Odysseus paused, looking around at his captive audience. "You all know what happened after that. The Trojan War lasted ten years of carnage. As the Greeks started to commit acts of sacrilege--desecrating altars and pillaging temples--the gods began to turn their backs on us. We were losing to the Trojans, badly. But my scheme with the wooden horse turned the tables and gave us the victory."

"We know all this," the king interrupted eagerly. "But why haven't you made it back to Ithaca in all this time? It's been ten years since the fall of Troy! Everyone began to assume you were dead."

Odysseus took a deep breath. "Well, it all started when my ship was blown off-course by a strange wind. We landed on an island inhabited by very friendly, hospitable people...perhaps a little too hospitable. They ate a very peculiar fruit called a Lotus, which was sweet and invitingly fragrant, but made one sleepy, content, apathetic, and forgetful. I warned my men not to touch them, but a few members of my crew ate the Lotus. They didn't want to leave. They didn't remember their families and homes to which they must return. It was as though they were under a spell.

"I had to forcibly drag them off the island and back to the ship, and they wept for days. We quickly set sail again--but now we were so off-course that we had passed the realm of our knowledge. We did not know of the strange and mysterious isles that awaited us, far more deadly than the one we were leaving.

"We cheered when we came into view of a small chain of islands. We headed for the nearest one, which appeared lush with vegetation. If only we had known the danger and misery that awaited us there..."

What happened to Odysseus and his crew on this mysterious island? Tune in next time for Part 4 of Homer's The Odyssey to find out!

Saturday, August 4, 2012

Like the myth of Hades and Persephone? I'm working on a novelization of it. If you're interested in reading my version, you can read it at: http://www.fictionpress.com/s/3024514/1/He_Whose_Throne_is_Darkness

Wednesday, August 1, 2012

Musings on Muses

Hey guys, RJ here. Decided to write a post myself, seeing as Megan's been doing all the talking around here. While Meg has been telling stories about heroes and gods, I'm probably going to be sticking to monsters and deities. Is that a little more difficult? Yes. Is it still going to be fun? Yes. So here it is: An Intro to the Muses.

The Muses were nine women who were said to literally be inspiration. Not the goddesses of inspiration, but inspiration itself. The Muses were not only the source of human knowledge, but the lifeblood of art. Each Muse had a specific art form attributed to them. For example, Polyhymnia was the inspiration for choral songs (the word hymn derives from her name), Thalia the Muse of comedy (I find it ironic that Rick Riordan named a punk, cold daughter of Zeus after the goddess of comedy), and Terpsichore (love that name) had domain over dance.

The word 'muse' in the English language means to meditate upon or to think about reflectively. Alternately, it can be to comment on something thoughtfully, something you see a lot on blog descriptions (musings on [topic] like ours). The most obvious example of the Muses' influence on our lingo is in 'music' one of the Greeks' favorite art forms. In fact, it's fitting that my all-time favorite band is the English
alternative rock band Muse.

The Muses are that little idea that you get while brainstorming, the spark of inspiration that could lead to anything from a novel to a scientific discovery. This itself says a lot about Greek culture. As Meg so eloquently put it, it shows the Greeks considered art so special and incredible that it could only be divinely inspired. The thing that really sets the Greeks apart from the Romans is the fact that they looked at culture in a much richer fashion, as a meeting ground between humanity and divinity. The Romans simply liked power, which I can respect, but what the Greeks valued is what makes me like them so much.

The Muses' power was not limited to the fine arts. Clio was the goddess of history, inspiring the great myth writers and historians to record events in the past and present. Urania was the goddess of astronomy. A little specific? Yes. But with her symbols a globe and compass, I'm going to hazard a guess that she had a hand in cartography, the art of making maps. She is always depicted looking toward the heavens, her name literally meaning 'heavens' and she can predict the future by the alignment of the stars. Yes, even horoscope writers have a Muse.

The Muses also represent human knowledge. In a way they are one of the most prominent bridges between the gods and the Earth, aside from demigods. They leak knowledge from the divine to the human, and kindle in them a passion to share it with the world. They are a bit like Prometheus bringing fire to the human race, but a little more... legal. Being divine themselves, they understand how much the human race can and can't handle.

For reference, here are short summaries of each of the nine Muses' functions and symbols.

Calliope
Occupation: Muse of epic poetry
Emblem: Writing tablet
Bio: Calliope, meaning "beautiful voice," was the daughter of Zeus and Mnemosyne. Being the Muse of epic poetry, and was said to be Homer's Muse, inspiring the Iliad and the Odyssey. Her sons were Linus, the inventor of melody and rythmn, and Orpheus, the great musician, and one of the few heroes ever to escape the Underworld. Calliope is considered to be the wisest of the Muses.

Clio
Occupation: Muse of history
Emblem: Scrolls
Bio: Clio, meaning "recount" or "make famous," is the inspiration of historians. Like historians, Clio was not famous herself, but was rather the one making others famous.

Erato
Occupation: Muse of love poetry
Emblem: Cithara (similar to a lyre)
Bio: Erato, meaning "desired" or "lovely," was the muse of love poetry and, as the name suggests, erotic poetry. According to one legend, her supposed tomb on the island of Samos was a pilgrimage site for star-crossed lovers.

Euterpe
Occupation: Muse of song
Emblem: Aulos (similar to a flute)
Bio: Euterpe, meaning "rejoicing" or "bringer of delight," was given the role of the Muse of Music. She was also accredited to lyric poetry in Classical times, making her one of the biggest outlets of creative energy today.

Melpomene
Occupation: Muse of tragedy
Emblem: Tragic mask (the frowny one in the theatre symbol)
Bio: Melpomene, meaning "melodious," is known best to be the Muse of tragic theatre, though was originally the Muse of singing, hence the name. Her realm is the inspiration on the dark half of theatre, her counterpart being Thalia, Muse of comic theatre. It was customary to invoke her favor at the beginning of a tragic play.

Polyhymnia
Occupation: Muse of hymns
Emblem: Veil
Bio: Polyhymnia, meaning "many hymns," was is a pensive Muse whose mysterious power was of sacred literature and hymn. Polyhymnia is a character sometimes used in popular culture. A fun fact is that Madeline L'Engle named her fictional character Polly O'Keefe loosely after the Muse Polyhymnia.

Terpsichore
Occupation: Muse of Dance
Emblem: Lyre
Bio: Terpsichore, meaning "delight in dancing," is the Muse of dance and dramatic chorus. She is depicted playing background music with a lyre for a chorus, and is the mother of the Sirens in some myths.

Thalia
Occupation: Muse of comic theatre
Emblem: Comic mask (the smiley one)
Bio: Thalia, meaning "to flourish," is the Muse of comedy. A common Muse nowadays, Thalia is portrayed wearing a crown of ivy and holding an actor's trumpet, which was used to amplify actors' voices.

Urania
Occupation: Muse of Astronomy
Emblem: Globe and Compass
Bio: (see above section on Urania)



As you can see, the Greeks emphasized art in the fullest, with many songs and poems asking for the help of the Muses in their lyrics or their verse. If the gods really have moved with the West, nowadays' Muses are in movies, art, architecture, and music (though I don't think Justin Beiber got the proper intercession. Poor guy.)

See ya guys later, hope you liked my first attempt at describing myths to you. Have good summers,
RJ